This mini-paper was given at the Escapologies symposium, at Goldsmiths University, on the 5th of December

Daniel Defoe’s 1719 novel Robinson Crusoe centres on the shipwreck and isolation of its protagonist. The life Crusoe knew beyond this shore was fashioned by Ships sent to conquer New Worlds and political wills built on slavery and imperial demands. In writing about his experiences, Crusoe orders his journal, not by the passing of time, but by the objects produced in his labour. A microcosm of the market hierarchies his seclusion removes him from: a tame herd of goats, a musket and gunpowder, sheafs of… ]]> Wed, 07 Dec 2011 09:50:14 -0700 http://machinemachine.net/text/research/a-mark-on-crusoes-island http://ask.metafilter.com/mefi/197212 Robinson Crusoe film adaptations. Which are the best ones? Also, *that* footprint... For a project I am working on, I want to isolate the moment in Robinson Crusoe where he discovers the savage footprint, imprinted in the sand, for the first time.

In the book this footprint is discovered quite a few years before Friday arrives. It signifies the first time Crusoe realises that there are 'others' visiting his Kingdom.

It has been critically engaged with by the likes of Umberto Eco, Susan Stewart (two times) and Simon O'Sullivan. Do you… ]]> Thu, 29 Sep 2011 05:31:01 -0700 http://ask.metafilter.com/mefi/197212 http://a.aaaarg.org/text/3791/impossibility-drawing-map-empire-scale-1-1 by Umberto Eco ]]> Tue, 08 Sep 2009 09:15:00 -0700 http://a.aaaarg.org/text/3791/impossibility-drawing-map-empire-scale-1-1 http://readernaut.com/machinemachine/books/0674639766/the-open-work//the-open-work

http://amazon.co.uk/dp/0674639766/?tag=thetotlib-21">The Open Work by Umberto Eco

Recently added as "reading".

Description: More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general. This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.

• Reader: Daniel