This mini-paper was given at the Escapologies symposium, at Goldsmiths University, on the 5th of December

Daniel Defoe’s 1719 novel Robinson Crusoe centres on the shipwreck and isolation of its protagonist. The life Crusoe knew beyond this shore was fashioned by Ships sent to conquer New Worlds and political wills built on slavery and imperial demands. In writing about his experiences, Crusoe orders his journal, not by the passing of time, but by the objects produced in his labour. A microcosm of the market hierarchies his seclusion removes him from: a tame herd of goats, a musket and gunpowder, sheafs of… ]]> Wed, 07 Dec 2011 09:50:14 -0700 http://machinemachine.net/text/research/a-mark-on-crusoes-island http://parrhesiajournal.org/parrhesia11/parrhesia11_ranciere.pdf I will present some remarks here on the use of the notion of medium in art theory and the light cast on this notion by the case of photography. The notion of medium is in fact much more complex than it appears at first. Theorizations of medium as the crucial element of artistic modernity bring two apparently opposite senses of the word into play. First, we understand the word ‘medium’ as ‘that which holds between’: between an idea and its realization, between a thing and its reproduction. The medium thus appears as an intermediary, as the means to an end or the agent of an… ]]> Sat, 12 Mar 2011 02:55:38 -0700 http://parrhesiajournal.org/parrhesia11/parrhesia11_ranciere.pdf http://www.ranadasgupta.com/notes.asp?note_id=53 We are all here to speak about the virtue of masters. I wrote a work called The Ignorant Master. Therefore it falls to me to defend on this subject the most apparently unreasonable of positions: the first virtue of the master is that of ignorance. My book tells the history of a professor, Joseph Jacoto, who created a scandal in the Holland and France of the 1830s by proclaiming that uneducated people could learn on their own without a master to explain things to them, and that masters, on their side, could teach the things they themselves did not know.… ]]> Wed, 23 Jun 2010 09:48:00 -0700 http://www.ranadasgupta.com/notes.asp?note_id=53 http://www.3quarksdaily.com/3quarksdaily/2010/01/on-seeing-an-imitation.html

by Daniel Rourke

“Mimesis here is not the representation of one thing by another, the relation of resemblance or of identification between two beings, the reproduction of a product of nature by a product of art. It is not the relation of two products but of two productions. And of two freedoms... 'True' mimesis is between two producing subjects and not between two produced things.” Jacques Derrida, Economimesis As the day drew closer to its end so I strained… ]]> Sun, 24 Jan 2010 22:04:00 -0700 http://www.3quarksdaily.com/3quarksdaily/2010/01/on-seeing-an-imitation.html http://machinemachine.net/text/arts/profane-prisms by artist Koizumi Meiro “It is a delimitation of spaces and times, of the visible and the invisible, of speech and noise, that simultaneously determines the place and the stakes of politics as a form of experience. Politics revolves around what is seen and what can be said about it, around who has the ability to see and the talent to speak, around the properties of spaces and the possibilities of time.” Jacques Rancière, The Distribution of… ]]> Thu, 05 Nov 2009 14:14:00 -0700 http://machinemachine.net/text/arts/profane-prisms