http://machinemachine.net/stream/feed en-us http://blogs.law.harvard.edu/tech/rss Sweetcron therourke@gmail.com http://www.3quarksdaily.com/3quarksdaily/2010/03/ignoring-the-mainstream-spreading-enthusiasm-for-difficult-music-and-sustaining-sonic-subcultures-co.html Chris Bohn is the editor of London-based monthly music magazine The Wire. Subtitled “Adventures in Modern Music”, the magazine has covered the alternative, the underground, the experimental, the avant-garde and the generally non-mainstream since 1982, featuring a span of artists from Ornette Coleman to Björk to David Sylvian to Jim O’Rourke to field recordists like Lee Patterson to emerging Chinese sounds artists like Yun Jun. The magazine is also well known as a rarity in its industry for both its profitability and its loyal, growing readership. Colin Marshall originally conducted this conversation on the public radio program and podcast The… ]]> Mon, 29 Mar 2010 08:51:00 -0700 http://www.3quarksdaily.com/3quarksdaily/2010/03/ignoring-the-mainstream-spreading-enthusiasm-for-difficult-music-and-sustaining-sonic-subcultures-co.html http://www.chtodelat.org/ Chto delat? / What is to be done? was founded in early 2003 in Petersburg by a workgroup of artists, critics, philosophers, and writers from Petersburg, Moscow, and Nizhny Novgorod (see full list of participants on the web site) with the goal of merging political theory, art, and activism.

Since then, Chto delat has been publishing an English-Russian newspaper on issues central to engaged culture, with a special focus on the relationship between a repoliticization of Russian intellectual culture and its broader international context. These newspapers are usually produced in the context of collective initiatives such as… ]]> Tue, 09 Mar 2010 11:10:00 -0700 http://www.chtodelat.org/ http://www.edge.org/q2010/q10_index.html Read any newspaper or magazine and you will notice the many flavors of the one big question that everyone is asking today. Or you can just stay on the page and read recent editions of Edge ... Playwright Richard Foreman asks about the replacement of complex inner density with a new kind of self-evolving under the pressure of information overload and the technology of the "instantly available". Is it a new self? Are we becoming Pancake People — spread wide and thin as we connect with that vast network of information accessed by the mere touch of a button. Technology… ]]> Fri, 08 Jan 2010 10:55:00 -0700 http://www.edge.org/q2010/q10_index.html http://canopycanopycanopy.com/7/divine_wilderness PLANNING IS SOMETHING that people learned from God. The lesson might be said to have begun with the prescriptions God laid out for His earthly habitation among the Israelites: the Tabernacle that housed Him in the desert, and then the Temple that was His residence in Jerusalem. The dimensions of these structures were dictated by a divine blueprint. The Temple gave birth to a city, and from it emerged a civilization. We are descendants of this tradition, irrespective of such trivialities as whether one identifies as a “believer.” ]]> Fri, 08 Jan 2010 10:02:00 -0700 http://canopycanopycanopy.com/7/divine_wilderness http://www.artfagcity.com/2009/10/22/img-mgmt-teen-image/ IMG MGMT is an annual image-based artist essay series. Today’s invited artist, Seth Price presents an essay challenging the traditional photo essay format. 1. Ritualized Unknowing People keep trying to get a handle on what’s happening. There’s a fear that others are hastening to make startling connections among the raw material, tracing lines between points we didn’t even know existed. Exacerbating this anxiety is the fact that despite its supposed insistence on the consolidation of knowledge and the worth of information, the Internet produces ritualized unknowing. You could say, however, that this is a good thing, for it provokes a… ]]> Thu, 05 Nov 2009 03:06:00 -0700 http://www.artfagcity.com/2009/10/22/img-mgmt-teen-image/ http://www.believermag.com/issues/200907/?read=article_phillips I just published a novel about music. Early in the process of writing it, I was warned by a similarly music-obsessive friend that “writing about music is like dancing about architecture.”[1] Since that first somewhat menacing reminder, I’ve heard the line frequently. At first blush, the claim is a smugly dismissive one: verbal descriptions of music are doomed to be pointlessly, perhaps even ridiculously, inferior to actual music. As a reader, I resisted this idea; it just felt false, though I couldn’t quite say why. But as a writer, this assertion paralyzed me: I didn’t want to waste two or… ]]> Thu, 02 Jul 2009 09:30:00 -0700 http://www.believermag.com/issues/200907/?read=article_phillips