In Western cultures, nature is a cosmological, primal ordering force and a terrestrial condition that exists in the absence of human beings. Both meanings are freely implied in everyday conversation. We distinguish ourselves from the natural world by manipulating our environment through technology. In What Technology Wants, Kevin Kelly proposes that technology behaves as a form of meta-nature, which has greater potential for cultural change than the evolutionary powers of the organic world alone.

With the advent of ‘living technologies’ [2], which possess some of the properties of living systems but are not ‘truly’ alive, a new understanding of our relationship to the natural and designed world is imminent. This change in perspective is encapsulated in Koert Van Mensvoort’s term ‘next nature’, which implies thinking ‘ecologically’, rather than ‘mechanically’. The implications of next nature are profound, and will shape our appreciation of humanity and influence the world around us.

The Universe of Things, by the British science fiction writer Gwyneth Jones (2010) [3] takes the idea of an ecological existence to its logical extreme. She examines an alien civilization whose technology is intrinsically alive. Tools are extrusions of the alien’s own biology and extend into their surroundings through a wet, chemical network.

nevver:

The Cephalopoda