"I began to realize that the ‘control’ animals used for research studies throughout the world are couch potatoes," he tells me. It's been shown that mice living under standard laboratory conditions eat more and grow bigger than their country cousins. At the National Institute on Aging, as at every major research center, the animals are grouped in plastic cages the size of large shoeboxes, topped with a wire lid and a food hopper that's never empty of pellets. This form of husbandry, known as ad libitum feeding, is cheap and convenient since animal technicians need only check the hoppers from time to time to make sure they haven’t run dry. Without toys or exercise wheels to distract them, the mice are left with nothing to do but eat and sleep—and then eat some more.

A trap street is a fictitious entry in the form of a misrepresented street on a map, often outside the area the map nominally covers, for the purpose of "trapping" potential copyright violators of the map, who will be unable to justify the inclusion of the "trap street" on their map. On maps that are not of streets, other "copyright trap" features (such as non-existent towns or mountains with the wrong elevations) may be inserted or altered for the same purpose.[1] Trap streets are often nonexistent streets; but sometimes, rather than actually depicting a street where none exists, a map will misrepresent the nature of a street in a fashion that can still be used to detect copyright violators but is less likely to interfere with navigation. For instance, a map might add nonexistent bends to a street, or depict a major street as a narrow lane, without changing its location or its connections to other streets.

On June 17, 2010, Sergey Ulasen was in his office in Belarus sifting through e-mail when a report caught his eye. A computer belonging to a customer in Iran was caught in a reboot loop — shutting down and restarting repeatedly despite efforts by operators to take control of it. It appeared the machine was infected with a virus. Ulasen heads an antivirus division of a small computer security firm in Minsk called VirusBlokAda. Once a specialized offshoot of computer science, computer security has grown into a multibillion-dollar industry over the last decade keeping pace with an explosion in sophisticated hack attacks and evolving viruses, Trojan horses and spyware programs.

The best security specialists, like Bruce Schneier, Dan Kaminsky and Charlie Miller are considered rock stars among their peers, and top companies like Symantec, McAfee and Kaspersky have become household names, protecting everything from grandmothers’ laptops to sensitive military networks.

Experiments in the Revival of Organisms is a 1940 motion picture which documents Soviet research into the resuscitation of clinically dead organisms. It is available from the Prelinger Archives, and it is in the public domain. The British scientist J. B. S. Haldane appears in the film's introduction and narrates the film, which contains Russian text with English applied next to, or over the top of, the Russian. The operations are credited to Doctor Sergei S. Bryukhonenko.

Alien space bats (ASBs) is a neologism for plot devices used in alternate history to create a point of divergence that would otherwise be implausible. [edit]Definition

"Alien space bats" originally was used as a sarcastic attack on poorly written alternate histories due to lack of plausibility. These attacks are usually phrased as the need for alien space bats or by saying the alternate history has gone into "ASB territory". This original definition was used by one critic to criticize Harry Harrison's Stars and Stripes trilogy.[1] The term eventually evolved into a deus ex machina to create an impossible point of divergences.[2] Examples include changes to the physical laws of nature, introducing magic into the world, time travel, and advanced aliens interfering in human affairs. An example of aliens interfering in human affairs to change the direction of history is Harry Turtledove's Worldwar series.[3]

We need to understand what philosophers in the Middle Ages, from Italy to India to China, already understood perfectly well: Money is not a thing, and is certainly not a scarce resource. Money is a promise. And it is a promise we keep to those we value and break to those we do not. In Greece, Ireland, Portugal, and Spain, sovereign-debt default seems ever more likely. If it occurs, then what will happen? Certain promises will be kept, and others will be broken. As we learn from politicians every day, it is rarely possible to keep all promises exactly as one has made them. Today, in the United Kingdom, many politicians are saying, “I know I was elected on a solemn pledge not to raise tuition fees, but now that I’m in power I realize that was unrealistic. We will have to triple them."

"I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice and I am going to play it back into the room again and again until the resonant frequencies of the room reinforce themselves so that any sem- blance of my speech, with perhaps the exception of rhythm, is destroyed. What you will hear, then, are the natural resonant frequencies of the room articulated by speech. I regard this activity not so much as a demonstration of a physi- cal fact, but more as a way to smooth out any irregularities my speech might have."

We're hard-wired to turn our lives into stories - how will we cope with the dizzying digital fictions of the future, ask John Bickle and Sean Keating

"We are our narratives" has become a popular slogan. "We" refers to our selves, in the full-blooded person-constituting sense. "Narratives" refers to the stories we tell about our selves and our exploits in settings as trivial as cocktail parties and as serious as intimate discussions with loved ones. We express some in speech. Others we tell silently to ourselves, in that constant little inner voice. The full collection of one's internal and external narratives generates the self we are intimately acquainted with. Our narrative selves continually unfold.

State-of-the-art neuro-imaging and cognitive neuropsychology both uphold the idea that we create our "selves" through narrative.

You begin with an artifact left on earth four million years ago by extraterrestrial explorers who observed the behavior of the man-apes of the time and decided to influence their evolutionary progression. Then you have a second artifact buried deep on the lunar surface and programmed to signal word of man's first baby steps into the universe -- a kind of cosmic burglar alarm. And finally there's a third artifact placed in orbit around Jupiter and waiting for the time when man has reached the outer rim of his own solar system.

When the surviving astronaut, Bowman, ultimately reaches Jupiter, this artifact sweeps him into a force field or star gate that hurls him on a journey through inner and outer space and finally transports him to another part of the galaxy, where he's placed in a human zoo approximating a hospital terrestrial environment drawn out of his own dreams and imagination.

This is a collection of Geocities data downloaded by a bunch of people who call themselves ARCHIVE TEAM, who began scraping the Yahoo! Geocities site during a six month period in 2009, before Yahoo! shut down geocities.com on October 26th, 2009. This collection is compressed in a UNIX filesystem with both 7zip archives and tape archives (gtar). If you're a bit of a data tourist and just want to waft in the scent of a web era gone by, please go to one of the Geocities mirrors that were put up in the wake of the end of Geocities. As of this writing, these mirrors include: http://www.reocities.com http://www.geocities.ws http://www.geociti.es http://www.oocities.org/ You'll get your fix and you won't go into internet rage when you find you downloaded hundreds of gigabytes of THING YOU DO NOT WANT. ========================================================================= This collection was put together by nearly 100 folks assembling at the news of the death of Geocities, a website that al

FOR DECADES in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.

The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art - President Truman summed up the popular view when he said: "If that's art, then I'm a Hottentot." As for the artists themselves, many were ex- com- munists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.

Why did the CIA support them? Because in the propaganda war with the So

Carl Honoré (In Praise of Slow) says Canada's Baffin Island Inuit "use the same word—'uvatiarru'—to mean both 'in the distant past' and 'in the distant future.' Time, in such cultures, is always coming as well as going."

In an essay by Louise Edrich (Two Languages in Mind, but Just One in the Heart), she writes about learning Ojibwemownin and how "nouns are mainly desginated as alive or dead, animate or inanimate...once I began to think of stones as animate, I started to wonder whether I was picking up a stone or it was putting iteslf in my hand."

I'm fascinated by language reflecting culture and vice versa. Any reference you've run across in passing or even know about as a multi-lingual MeFite is welcome. Moreover, if English isn't your primary language, what words/concepts made you take pause?

Lanchester allowed that computer games would never tell us as much about character as other forms of narrative, but pointed out two great virtues of the form: “The first is visual: the best games are already beautiful, and I can see no reason why the look of video games won’t match or surpass that of cinema. The second is to do with this sense of agency, that the game offers a world in which the player is free to act and to choose.” And both points are right. The best games do look great, and we do have a lot of choice, not just inside game worlds but among them. Raised on the flashing cursors of Zork, we’ve learned to adore the newer, pert, pretty avatars, so much sexier and more powerful than we’d ever dare imagine ourselves. We too have played the games with lush graphics inspired by Breughel and Bosch and Kurosawa; the first-person shooter games; the strategy games in intricately wrought alternate worlds or ages past; the Sims; the online worlds of Warcraft and Second Life; the spo

He's an Indian, and Brazilian officials have concluded that he's the last survivor of an uncontacted tribe. They first became aware of his existence nearly 15 years ago and for a decade launched numerous expeditions to track him, to ensure his safety, and to try to establish peaceful contact with him. In 2007, with ranching and logging closing in quickly on all sides, government officials declared a 31-square-mile area around him off-limits to trespassing and development. Advertisement

It's meant to be a safe zone. He's still in there. Alone.

History offers few examples of people who can rival his solitude in terms of duration and degree. The one that comes closest is the "Lone Woman of San Nicolas"—an Indian woman first spotted by an otter hunter in 1853, completely alone on an island off the coast of California. Catholic priests who sent a boat to fetch her determined that she had been alone for as long as 18 years, the last survivor of her tribe. But the details of her survival we

The Horses are essential "Wild" and roam freely, until a man needs a ride. Then its ridden for a couple of days, then released again to rejoin its friends on the grasslands. I stayed with this boys family for a week in the countryside. Helping out with the Sheep, goats, horses and camels, Unfortunately, I've lost most of the pictures from this week with a most hospitable family. They taught me how to ride horses, make clotted cream and kill sheep bloodlessly.

neilsrtw.blogspot.com/

So what would happen if there were none? Would anyone or anything miss them? Nature put this question to scientists who explore aspects of mosquito biology and ecology, and unearthed some surprising answers.

There are 3,500 named species of mosquito, of which only a couple of hundred bite or bother humans. They live on almost every continent and habitat, and serve important functions in numerous ecosystems. "Mosquitoes have been on Earth for more than 100 million years," says Murphy, "and they have co-evolved with so many species along the way." Wiping out a species of mosquito could leave a predator without prey, or a plant without a pollinator. And exploring a world without mosquitoes is more than an exercise in imagination: intense efforts are under way to develop methods that might rid the world of the most pernicious, disease-carrying species (see 'War against the winged').

"In January of 2002," writes the neuroscientist Oliver Sacks, "I received a letter from Howard Engel, a Canadian novelist describing a strange problem." Engel's problem was so strange, I decided to create a short video to let you see his story. Our narrator and animator is San Francisco artist Lev Yilmaz.

On July 31, 2001, Engel woke up, dressed, made breakfast, and then went to the front door to get his newspaper. "I wasn't aware," he says in our NPR interview, "that it was any different from any other morning."

But it was. When he looked at the front page — it was the Toronto Globe and Mail, an English-language journal — the print on the page was unlike anything he had seen before. It looked vaguely "Serbo-Croatian or Korean," or some language he didn't know. Wondering if this was some kind of joke, he went to his bookshelf, pulled out a book he knew was in English, and it too was in the same gibberish.

In the 1990s, Paul Romer revolutionized economics. In the aughts, he became rich as a software entrepreneur. Now he’s trying to help the poorest countries grow rich—by convincing them to establish foreign-run “charter cities” within their borders. Romer’s idea is unconventional, even neo-colonial—the best analogy is Britain’s historic lease of Hong Kong. And against all odds, he just might make it happen.

Halfway through the 12th century, and a long time before economists began pondering how to turn poor places into rich ones, the Germanic prince Henry the Lion set out to create a merchant’s mecca on the lawless Baltic coast. It was an ambitious project, a bit like trying to build a new Chicago in modern Congo or Iraq. Northern Germany was plagued by what today’s development gurus might delicately call a “bad-governance equilibrium,” its townships frequently sacked by Slavic marauders such as the formidable pirate Niclot the Obotrite. But Henry was not a mouse.

In the late 1950s, psychologist Milton Rokeach was gripped by an eccentric plan. He gathered three psychiatric patients, each with the delusion that they were Jesus Christ, to live together for two years in Ypsilanti State Hospital to see if their beliefs would change. The early meetings were stormy. "You oughta worship me, I'll tell you that!" one of the Christs yelled. "I will not worship you! You're a creature! You better live your own life and wake up to the facts!" another snapped back. "No two men are Jesus Christs. … I am the Good Lord!" the third interjected, barely concealing his anger.

Frustrated by psychology's focus on what he considered to be peripheral beliefs, like political opinions and social attitudes, Rokeach wanted to probe the limits of identity. He had been intrigued by stories of Secret Service agents who felt they had lost contact with their original identities, and wondered if a man's sense of self might be challenged in a controlled setting.

Thousands of movies are made every year, and have been almost all the way back to when we first figured out how to make them. We love the theater experience of plopping down before the big screen with soda and some snacks, and relish in rehashing our favorite cult classics over and over at home. But what about all the great movies that never saw the light of day? Many of them were pretty far into production when filming ceased, and still deserve a viewing in their incomplete form. Here are 15 great movies that were never finished.