These games are offered as solutions for two kinds of problems. One is writer’s block. Let’s be done with the waiting for ‘inspiration’. Let’s just get to work all one has to overcome is one’s resistance to labor.

In this in-depth analysis, Daniel Johnson discusses games, language and sociology with regard to Valve's Portal - please note that the article contains story spoilers for the game.

In 1959 Erving Goffman released The Presentation of Self in Everyday Life; a book that went on to heavily influence future understanding of social interactions within the sociology discipline. In it, he discusses social intercourse under the metaphor of actors performing on a stage. Specifically, in the second chapter he shares the idea of a front and backstage to social interaction.

As with the theater, we have a place where we manage the performance and a place where we give that performance. As social interlocutors engaged in interaction, we are presenting an impression of ourselves to an audience; we're acting out a role that requires constant management at the whim of the interaction.

The front stage is the grounds of the performance. The backstage is a place we rarely ever want to reveal to others,

Warning: The ideas expressed here may be dangerous. For this year's list, we walked right past the usual suspects and went looking for trouble. We wanted radicals, heretics, agitators—big thinkers with controversial, game-changing propositions. We found a prison reformer who wants to empty jails, an economist who thinks foreign aid hurts more than it helps, and a military theorist who believes the US should launch preemptive cyberattacks, right now. Then there's secretary of defense robert gates, who wants to win wars, not just prep for them. Risky? Sure. But this is no time to play it safe.

Provided that, we can treat the things we encounter in urban environments as system resources, rather than a mute collection of disarticulated buildings, vehicles, sewers and sidewalks. One prospect that seems fairly straightforward is letting these resources report on their own status. Information about failures would propagate not merely to other objects on the network but reach you and me as well, in terms we can relate to, via the provisions we've made for issue-tracking.

And because our own human senses are still so much better at spotting emergent situations than their machinic counterparts, and will probably be for quite some time yet to come, there's no reason to leave this all up to automation. The interface would have to be thoughtfully and carefully designed to account for the inevitable bored teenagers, drunks, and randomly questing fingers of four-year-olds, but what I have in mind is something like, "Tap here to report a problem with this bus shelter."

In order for anyt

Manipulating Reality presents a selection of 23 artistic approaches that work through photography and video to develop possible models of reality. Its aim is not to understand whether photographs can convey reality but how this can occur. The works exhibited represent different artistic strategies addressing the construction, reflection or distortion of reality in images. In addition to investigating the value of documentary photography today, many of the artists presented reflect in part the conditions of the tool of photography and adopt known artistic techniques such as collage, presentation in model form, abstraction and the assemblage of different elements.

In the summer of 1899, whilst alone in his Colorado Springs laboratory working with his magnifying transmitter, the inimitable Nikola Tesla observed a series of unusual rhythmic signals which he described as 'counting codes'. Having just detected cosmic radio signals for the first time, Tesla immediately believed them to be attempted communications from an intelligent life-form on either Venus or Mars, and later said of the experience, 'The feeling is constantly growing on me that I had been the first to hear the greeting of one planet to another'.

The next year, Tesla was asked by the Red Cross to predict man's greatest possible achievement over the next century. The letter below was his reply.

A much-needed transcript follows.

There is something stirring in the world of science writing. Since it emerged as a labelled corner of the bookshop, the genre has been dominated by practising scientists who also write; Dawkins way ahead of the pack, then Steve Jones and Richard Fortey. Bill Bryson, of course, is the great exception but he is sui generis — millions would buy his take on the history of beer mats if that’s what he wrote about.

But this year’s winner of the Royal Society science book prize, science’s Booker, was Richard Holmes for The Age of Wonder. He is our great Romantic biographer, who has made the lives of the Romantic poets his life’s work. For this book he boldly took on science in a way humanists used to shrink from; he sat at the feet of Cambridge scientists and after ten years of research felt confident enough to discuss the amazing cross-fertilisation of art and science at the time of Coleridge, Shelley, Keats and — his own addition to the list — Humphry Davy, chemist and poet.

In a recent ar

In Bb 2.0 is a collaborative music and spoken word project conceived by Darren Solomon from Science for Girls, and developed with contributions from users.

The videos can be played simultaneously -- the soundtracks will work together, and the mix can be adjusted with the individual volume sliders.

A collection of Polaroids, one per day, from March 31, 1979 through October 25, 1997:

http://www.mentalfloss.com/blogs/archives/15131

There’s no author listed, no contact info, and no other indication as to where these came from.