MachineMachine /stream - tagged with gallery http://machinemachine.net/stream/feed en-us http://blogs.law.harvard.edu/tech/rss Sweetcron therourke@gmail.com The Artist is Present (a video game about waiting in line at a museum) http://www.joystiq.com/2011/09/18/the-artist-is-present-is-a-game-about-waiting-in-line-at-a-museu/ Writing articles about video games is so much fun that we often have to stop, wipe the manic grins off our faces and find something really boring to do. Sometimes we stare at a blank white wall and recite the Declaration of Independence under our breath, other times we watch Lost in Translation. Now we have a new option: We can play The Artist is Present, a game about waiting in line at New York's Museum of Modern Art created by Pippin Barr.

Unfortunately for us, the game's backstory is pretty entertaining. Contemporary artist Marina Abramović held… ]]>
Mon, 19 Sep 2011 01:39:30 -0700 http://www.joystiq.com/2011/09/18/the-artist-is-present-is-a-game-about-waiting-in-line-at-a-museu/
Is New Media Accepted in the Art World? Domenico Quaranta’s Media, New Media, PostMedia http://www.artfagcity.com/2011/08/30/is-new-media-accepted-in-the-art-world-domenico-quarantas-media-new-media-postmedia/ Do institutions and galleries have a growing interest in New Media? Two weeks ago, I identified the art “internet bubble” at The L Magazine, a trend that’s currently giving new media the spot light. Not everyone sees new media the same way though. Domenico Quaranta, an Italian writer and curator previously best known to this blog for “Holy Fire“, a dubiously themed new media exhibition in Brussels that included only “collectible” work, being one such example. Quaranta’s followed up the 2008 exhibition by writing a whole book on the subject of New Media — “Media, New Media, PostMedia” — one core theme being… ]]> Mon, 12 Sep 2011 00:22:06 -0700 http://www.artfagcity.com/2011/08/30/is-new-media-accepted-in-the-art-world-domenico-quarantas-media-new-media-postmedia/ Is New Media Accepted in the Art World? Domenico Quaranta’s Media, New Media, PostMedia http://www.artfagcity.com/2011/08/30/is-new-media-accepted-in-the-art-world-domenico-quarantas-media-new-media-postmedia/ Do institutions and galleries have a growing interest in New Media? Two weeks ago, I identified the art “internet bubble” at The L Magazine, a trend that’s currently giving new media the spot light. Not everyone sees new media the same way though. Domenico Quaranta, an Italian writer and curator previously best known to this blog for “Holy Fire“, a dubiously themed new media exhibition in Brussels that included only “collectible” work, being one such example. Quaranta’s followed up the 2008 exhibition by writing a whole book on the subject of New Media — “Media, New Media, PostMedia” — one core theme being… ]]> Fri, 02 Sep 2011 15:07:15 -0700 http://www.artfagcity.com/2011/08/30/is-new-media-accepted-in-the-art-world-domenico-quarantas-media-new-media-postmedia/ Caleb Larsen's A Tool to Deceive and Slaughter http://blog.makezine.com/archive/2010/01/caleb_larsens_a_tool_to_deceive_and.html Perpetual online auction, internet connection, custom programming and hardware, acrylic cube... Combining Robert Morris' Box With the Sound of Its Own Making with Baudrillard's writing on the art auction this sculpture exists in eternal transactional flux. It is a physical sculpture that is perptually attempting to auction itself on eBay. Every ten minutes the black box pings a server on the internet via the ethernet connection to check if it is for sale on the eBay. If its auction has ended or it has sold, it automatically creates a new auction of itself. If a person buys it on eBay,… ]]> Sun, 14 Feb 2010 18:45:00 -0700 http://blog.makezine.com/archive/2010/01/caleb_larsens_a_tool_to_deceive_and.html Arcangel and the future of digi/net art http://www.metafilter.com/mefi/87272 Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are… ]]> Tue, 08 Dec 2009 06:44:50 -0700 http://www.metafilter.com/mefi/87272 Seriousness is the New Black: The Turner Prize at Tate Britain and Anish Kapoor at The Royal Academy http://www.3quarksdaily.com/3quarksdaily/2009/10/seriousness-is-the-new-black--the-turner-prize-at-tate-britain-and-anish-kapoor-at-the-royal-academy--sue-hubbard------many.html Many factors have lead to London’s pre-eminence in the contemporary art world: the importance of Goldsmith’s College to the Hirst generation of YBAs, Saatchi’s ubiquitous influence as a collector, Jay Joplin’s White Cube gallery, the founding of the annual Frieze art fair, and of course, the Turner Prize, that annual award set up in 1984 to celebrate new developments in contemporary art presented each year to a British artist under fifty for an outstanding exhibition in the preceding twelve months. It has always been a controversial affair. There was, of course, that bed (it didn’t win) and Martin Creed’s minimal… ]]> Mon, 19 Oct 2009 03:50:00 -0700 http://www.3quarksdaily.com/3quarksdaily/2009/10/seriousness-is-the-new-black--the-turner-prize-at-tate-britain-and-anish-kapoor-at-the-royal-academy--sue-hubbard------many.html Serpentine Gallery: Poetry Marathon - Saturday and Sunday, 17–18 October http://www.serpentinegallery.org/2009/06/poetry_marathonsaturday_and_su_1.html The Serpentine Gallery Poetry Marathon is an ambitious two-day poetry event taking place in London during Frieze Art Fair week and featuring unique performances from leading poets, writers, artists, philosophers, scholars and musicians. An international group of major figures will be brought together to perform in the Serpentine Gallery Pavilion 2009, designed by architects Kazuyo Sejima and Ryue Nishizawa of the acclaimed Japanese practice SANAA. The event will include performances of new work, collaborations, discussions and experiments. ]]> Thu, 15 Oct 2009 08:04:00 -0700 http://www.serpentinegallery.org/2009/06/poetry_marathonsaturday_and_su_1.html Jamie Livingston's Polaroid of the Day http://photooftheday.hughcrawford.com/ A collection of Polaroids, one per day, from March 31, 1979 through October 25, 1997: http://www.mentalfloss.com/blogs/archives/15131 There’s no author listed, no contact info, and no other indication as to where these came from. ]]> Wed, 24 Jun 2009 15:24:00 -0700 http://photooftheday.hughcrawford.com/ The Gallery as Brain http://www.artinfo.com/news/story/31597/the-gallery-as-brain/ At first glance, the central premise of the Hayward’s summer show seems to court too eagerly the tedious controversy around neuroaesthetics. "Walking in My Mind" aims to "transform the gallery’s unique spaces into a giant brain by bringing together large-scale installations that explore the workings of the mind in different ways ... while at the same time inviting visitors to explore their own thought processes." It’s potentially a clunky conceit, and it risks the sort of interdisciplinary pratfalls that have made for such bathetic reading in recent attempts to bring together art and brain science. It’s as yet unclear exactly… ]]> Wed, 17 Jun 2009 08:30:00 -0700 http://www.artinfo.com/news/story/31597/the-gallery-as-brain/ Liam Gillick: The Discursive | Journal / e-flux http://www.e-flux.com/journal/view/35 A discursive model of praxis has developed within the critical art context over the last twenty years. It is the offspring of critical theory and improvised, self-organized structures. It is the basis of art that involves the dissemination of information. It plays with social models and presents speculative constructs both within and beyond traditional gallery spaces. It is indebted to conceptual art’s reframing of relationships, and it requires decentered and revised histories in order to evolve. ]]> Mon, 16 Feb 2009 06:59:00 -0700 http://www.e-flux.com/journal/view/35