MachineMachine /stream - tagged with essay http://machinemachine.net/stream/feed en-us http://blogs.law.harvard.edu/tech/rss Sweetcron therourke@gmail.com What Is the "New Aesthetic"? http://stunlaw.blogspot.co.uk/2012/04/what-is-new-aesthetic.html The New Aesthetic is now subject to discussion and critique on a number of forums, blogs, twitter threads, and so forth (for a list, see bibliography on Berry 2012a, but also Bridle 2012, Kaganskiy 2012, Sterling 2012). Many of these discussions have a particular existential flavour, questioning the existence and longevity of the New Aesthetic, for example, or beginning to draw the boundaries of what is 'in' or 'out' of the domain of New Aesthetic things (See Twitter 2012).[1] Grusin (2012), for example, claims: '[t]he "new aesthetic" is just the latest name for remediation, all dressed up with nowhere to… ]]> Thu, 19 Apr 2012 01:21:06 -0700 http://stunlaw.blogspot.co.uk/2012/04/what-is-new-aesthetic.html On Victor Tausk's 'The Influencing Machine' http://www.cabinetmagazine.org/issues/14/turner.php/cabinet-the-influencing-machine On Victor Tausk's 'The Influencing Machine' http://t.co/CBehMiY8 from #Cabinet, 2004 ]]> Tue, 25 Oct 2011 03:21:41 -0700 http://www.cabinetmagazine.org/issues/14/turner.php/cabinet-the-influencing-machine Digital Autonomy http://art-research.co.uk/digital-autonomy-a-reponse-to-hito-steyerl

“Is an ephemeral image, a moment in a streaming video, a thing? Or if the image is frozen as a still, is it now a thing? Is a dream, a city, a sensation, a derivative, an ideology, a decay, a kiss? I haven’t the least idea.”

Extract from David Miller, Materiality : An Introduction [1]

In A Thing Like You and Me, Hito Steyerl plays out her ongoing obsession with the copy, skirting briefly over her wider, yet more implicit concern: the digital. Echoing the work of Bruno Latour, Steyerl acknowledges the materiality by which… ]]> Sat, 11 Jun 2011 04:02:00 -0700 http://art-research.co.uk/digital-autonomy-a-reponse-to-hito-steyerl/is-an-ephemeral-image-a-moment-in-a-streaming-video-a Biomathematics: The formula of life http://www.newstatesman.com/ideas/2011/04/viruses-essay-pattern Biology used to be about plants, animals and insects, but five great revolutions have changed the way that scientists think about life: the invention of the microscope, the systematic classification of the planet's living creatures, evolution, the discovery of the gene and the structure of DNA. Now, a sixth is on its way - mathematics.

Maths has played a leading role in the physical sciences for centuries, but in the life sciences it was little more than a bit player, a routine tool for analysing data. However, it is moving towards centre stage, providing new understanding of… ]]>
Wed, 11 May 2011 03:32:59 -0700 http://www.newstatesman.com/ideas/2011/04/viruses-essay-pattern
Credit in the Straight WWW: "DDDDoomed", Berger, and the Image Aggregator http://2thewalls.com/journal/2011/1/10/credit-in-the-straight-www-ddddoomed-berger-and-the-image-ag.html [ED: Nearly all of the text in this post is taken from R. Gerald Nelson's independently published, occasionally problematic but more often brilliantly concise treatise DDDDoomed. Anyone concerned with issues of and methods pertaining to digital image dissemination, authorship and context should make an effort to purchase and read this chapbook. I cannot recommend it enough.]

"With new blogs springing up every day, beautiful images & words are springing up with them. I try to credit everything I put on this blog. I know sometimes I fail. Many of the images I feature are scanned by me… ]]>
Tue, 15 Mar 2011 08:01:21 -0700 http://2thewalls.com/journal/2011/1/10/credit-in-the-straight-www-ddddoomed-berger-and-the-image-ag.html
R. Gerald Nelson’s DDDDoomed essay http://www.hyperjunk.net/?p=22 R. Gerald Nelson’s DDDDoomed essay has been making the rounds lately and it sparked a healthy amount of curiosity and note-taking on my part that I felt I wanted to share with some reactions. The essay is published as the first volume of eight in Nelson’s Making Known Img Ctrl series based out of Minneapolis. The image heavy text is “crafted as a speculative fiction that unfolds from the perspective of a future commentator reflecting back and theorizing about the factors that brought about the dysfunctional state of the contemporary image world.” The highlights and corresponding notes aren’t presented in… ]]> Tue, 15 Mar 2011 07:59:20 -0700 http://www.hyperjunk.net/?p=22 F/X PORN: David Foster Wallace http://www.scribd.com/doc/6447057/David-Foster-Wallace-on-FX-Porn What's the difference between a Hollywood special-effects blockbuster like "Terminator 2" and a hard-core porn film? Very little, claims novelist, essayist and footnote fetishist David Foster Wallace.

1990s moviegoers who have sat clutching their heads in both awe and disappointment at movies like "Twister" and "Volcano" and "The Lost World" can thank James Cameron's "Terminator 2: Judgment Day" for inaugurating what's become this decade's special new genre of big-budget film: Special Effects Porn. "Porn" because, if you substitute F/X for intercourse, the parallels between the two genres become so obvious they're eerie. Just like hard-core cheapies, movies… ]]>
Tue, 18 Jan 2011 04:57:21 -0700 http://www.scribd.com/doc/6447057/David-Foster-Wallace-on-FX-Porn
Is there a secular body? http://blogs.ssrc.org/tif/2010/11/15/secular-body/ Is there a secular body? Or, in somewhat different terms, is there a particular configuration of the human sensorium—of sensibilities, affects, embodied dispositions—specific to secular subjects, and thus constitutive of what we mean by “secular society”? What intrigues me about this question is that, despite its apparent simplicity, the path toward an answer seems not at all clear. For example, are the scholarly sensibilities and the modes of affective attunement that find expression here elements of a secular habitus? What would be indicated by calling such expressive habits “secular”?

Clearly, they have been learned in a secular… ]]>
Fri, 03 Dec 2010 09:47:00 -0700 http://blogs.ssrc.org/tif/2010/11/15/secular-body/
In Defense of the Poor Image http://www.e-flux.com/journal/view/94 by Hito Steyerl

The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed, as well as copied and pasted into other channels of distribution.

The poor image is a rag or a rip; an AVI or a JPEG, a lumpen proletarian in the class society of appearances, ranked and valued according to its resolution. The… ]]>
Thu, 28 Oct 2010 07:27:00 -0700 http://www.e-flux.com/journal/view/94
Why like noise? http://gli.tc/h/blog/?p=133 The idea of noise is spreading…. From music into art into politics….
Why? As a synonym of avant-garde: noise as the unexpected, the dissonant and dissident. Its transgressiveness, which is mostly philosophical, has been misunderstood as subversion, a rule-breaking.
Noise is defined in opposition; to meaning, to sound, to music, and, even to noises. But once claimed in its own right, it is more of a parallel universe where it is hard to find transgression, or make it happen.
As noise is not about just finding noises and playing them. That is noise becoming music.
… ]]>
Wed, 08 Sep 2010 03:33:00 -0700 http://gli.tc/h/blog/?p=133
Cave Painting: Videogames as Art http://nplusonemag.com/cave-painting Lanchester allowed that computer games would never tell us as much about character as other forms of narrative, but pointed out two great virtues of the form: “The first is visual: the best games are already beautiful, and I can see no reason why the look of video games won’t match or surpass that of cinema. The second is to do with this sense of agency, that the game offers a world in which the player is free to act and to choose.” And both points are right. The best games do look great, and we do have a lot… ]]> Fri, 03 Sep 2010 06:29:00 -0700 http://nplusonemag.com/cave-painting Everything you need to know about the internet http://www.guardian.co.uk/technology/2010/jun/20/internet-everything-need-to-know * News
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The internet: Everything you ever need to know

In spite of all the answers the internet has given us, its full potential to transform our lives remains the great unknown. Here are the nine key steps to understanding the most powerful tool of our age – and where it's taking us

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* John Naughton
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Mon, 21 Jun 2010 03:38:00 -0700 http://www.guardian.co.uk/technology/2010/jun/20/internet-everything-need-to-know
The linguistic turn and other misconceptions about analytic philosophy http://www.eurozine.com/articles/2010-06-10-wagner-en.html Analytic philosophy has a complex history of more than one hundred years and this movement is so variegated that it can hardly be characterized by a single feature. Most of those who have tried to do so either were not aware of its diversity or considered only some part of its history. For example, it is sometimes believed that analytic philosophy is committed to a thoroughly anti-metaphysical stance. Such a belief may be rooted in some of the famous pronouncements of the logical empiricists, in the philosophical method put forward by Wittgenstein in his Tractatus Logico-philosophicus, or in the fact… ]]> Sun, 13 Jun 2010 23:56:00 -0700 http://www.eurozine.com/articles/2010-06-10-wagner-en.html The ecstasy of influence: A plagiarism, By Jonathan Lethem (Harper's Magazine) http://harpers.org/archive/2007/02/0081387 Consider this tale: a cultivated man of middle age looks back on the story of an amour fou, one beginning when, traveling abroad, he takes a room as a lodger. The moment he sees the daughter of the house, he is lost. She is a preteen, whose charms instantly enslave him. Heedless of her age, he becomes intimate with her. In the end she dies, and the narrator—marked by her forever—remains alone. The name of the girl supplies the title of the story: Lolita.

The author of the story I've described, Heinz von Lichberg, published his tale… ]]>
Sat, 29 May 2010 02:00:00 -0700 http://harpers.org/archive/2007/02/0081387
audio essay : On Pharaohs, Cults and Parasitism (The Condition of Division) http://machinemachine.net/text/out-loud/audio-essay-on-pharaohs-cults-and-parasitism

On Pharoahs, Cults and Parasitism (The Condition of Division)

audio essay : On Pharaohs, Cults and Parasitism (The Condition of Division)

Originally broadcast on Resonance 104.4 FM as part of Antepress’ Digestives series, Monday 24th May 2010

[Audio clip: view full post to listen]

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Mon, 24 May 2010 10:29:22 -0700 http://machinemachine.net/text/out-loud/audio-essay-on-pharaohs-cults-and-parasitism
Uniformity and Variability: An Essay in the Philosophy of Matter http://museum.doorsofperception.com/doors3/transcripts/Delanda.html If the planet needs us to speed up information, and slow down matter, what does this mean for the complex relationship between information and nature? There is a growing awareness of the importance of studying the behaviour of matter in its full complexity. According to Manuel DeLanda, author of A Short History of Matter, this is partly the result of experimentation with non-homogeneous materials. DeLanda explores some of the philosophical issues raised by new developments in materials science, including the significance of the idea that many different material and energetic systems may have a common source of spontaneous order. The… ]]> Mon, 03 May 2010 09:35:00 -0700 http://museum.doorsofperception.com/doors3/transcripts/Delanda.html Frameworks for citizen responsiveness, enhanced: Toward a read/write urbanism http://speedbird.wordpress.com/2010/04/24/frameworks-for-citizen-responsiveness-enhanced-toward-a-readwrite-urbanism/ Provided that, we can treat the things we encounter in urban environments as system resources, rather than a mute collection of disarticulated buildings, vehicles, sewers and sidewalks. One prospect that seems fairly straightforward is letting these resources report on their own status. Information about failures would propagate not merely to other objects on the network but reach you and me as well, in terms we can relate to, via the provisions we've made for issue-tracking.

And because our own human senses are still so much better at spotting emergent situations than their machinic counterparts, and will probably… ]]>
Tue, 27 Apr 2010 06:35:00 -0700 http://speedbird.wordpress.com/2010/04/24/frameworks-for-citizen-responsiveness-enhanced-toward-a-readwrite-urbanism/
A Provisional Theory of Non-Sites: Robert Smithson http://www.robertsmithson.com/essays/provisional.htm By drawing a diagram, a ground plan of a house, a street plan to the location of a site, or a topographic map, one draws a "logical two dimensional picture." A "logical picture" differs from a natural or realistic picture in that it rarely looks like the thing it stands for. It is a two dimensional analogy or metaphor - A is Z.

The Non-Site (an indoor earthwork)* is a three dimensional logical picture that is abstract, yet it represents an actual site in N.J. (The Pine Barrens Plains). It is by this dimensional metaphor that one… ]]>
Sun, 07 Mar 2010 16:53:00 -0700 http://www.robertsmithson.com/essays/provisional.htm
Code is Law http://harvardmagazine.com/2000/01/code-is-law.html Every age has its potential regulator, its threat to liberty. Our founders feared a newly empowered federal government; the Constitution is written against that fear. John Stuart Mill worried about the regulation by social norms in nineteenth-century England; his book On Liberty is written against that regulation. Many of the progressives in the twentieth century worried about the injustices of the market. The reforms of the market, and the safety nets that surround it, were erected in response. This regulator is code—the software and hardware that make cyberspace as it is. This code, or architecture, sets the terms on which… ]]> Sun, 07 Feb 2010 10:20:00 -0700 http://harvardmagazine.com/2000/01/code-is-law.html The Radio as an Apparatus of Communication http://home.freeuk.net/lemmaesthetics/brecht1.htm by Bertolt Brecht In our society one can invent and perfect discoveries that still have to conquer their market and justify their existence; in other words discoveries that have not been called for. Thus there was a moment when technology was advanced enough to produce the radio and society was not yet advanced enough to accept it. The radio was then in its first phase of being a substitute: a substitute for theatre, opera, concerts, lectures, cafe music, local newspapers and so forth. This was the patient's period of halcyon youth. I am not sure if it is finished yet,… ]]> Wed, 06 Jan 2010 08:16:00 -0700 http://home.freeuk.net/lemmaesthetics/brecht1.htm