MachineMachine /stream - tagged with datamoshing http://machinemachine.net/stream/feed en-us http://blogs.law.harvard.edu/tech/rss Sweetcron therourke@gmail.com Infinite Glitch.com http://infiniteglitch.com/ Every day an incomprehensible number of new digital media files are uploaded to hosting sites across the internet. Far too many for any one person to consume. Infinite Glitch is a stream-of-conciousness representation of this overwhelming flood of media, its fractured and degraded sounds and images reflecting how little we as an audience are able to retain from this daily barrage.

Infinite Glitch is an automated system that generates an ever-changing audio/video stream from the constantly increasing mass of media files freely available on the web. Source audio and video files are ripped from a variety of… ]]> Wed, 09 Mar 2011 06:50:45 -0700 http://infiniteglitch.com/ Silver http://vimeo.com/18873391/silver

Silver

Cast: Daniel Rourke

]]> Mon, 17 Jan 2011 06:45:43 -0700 http://vimeo.com/18873391/silver Pink Dot http://vimeo.com/15873210/pink-dot

Pink Dot

Cast: Daniel Rourke

]]> Fri, 15 Oct 2010 07:09:08 -0700 http://vimeo.com/15873210/pink-dot What techniques do you use to make glitch art? http://ask.metafilter.com/167539/What-techniques-do-you-use-to-make-glitch-art What are some techniques you use to make glitch art? ]]> Tue, 12 Oct 2010 03:35:00 -0700 http://ask.metafilter.com/167539/What-techniques-do-you-use-to-make-glitch-art The Creators Project | Takeshi Murata http://www.thecreatorsproject.com/en-uk/creators/takeshi-murata?utm_medium=twitter&utm_source=twitterfeed The Creators Project: Much of your work centers on the appropriation and distorting of things to the point that they’re entirely something else. I was wondering how you feel about this on a larger scale with something like the internet, where everything is just floating out there in an open space without regulation. Do you feel that, overall, it’s beneficial to art or does it make it easier for people to claim other people’s ideas as their own? Takeshi Murata: It’s great. I see a lot of things online that inspire me greatly. One of the things I’ve learned as… ]]> Thu, 22 Jul 2010 22:01:00 -0700 http://www.thecreatorsproject.com/en-uk/creators/takeshi-murata?utm_medium=twitter&utm_source=twitterfeed Time http://people.alfred.edu/~mh7/Site/time.html (A Glitch Lecture by ∆¥∆) ]]> Wed, 10 Feb 2010 13:33:00 -0700 http://people.alfred.edu/~mh7/Site/time.html The Work of the Moving Image in the Age of its Digital Corruptibility http://www.3quarksdaily.com/3quarksdaily/2009/12/the-work-of-the-moving-image-in-the-age-of-its-digital-corruptibility.html

by Daniel Rourke

"The cinema can, with impunity, bring us closer to things or take us away from them and revolve around them, it suppresses both the anchoring of the subject and the horizon of the world... It is not the same as the other arts, which aim rather at something unreal or a tal. With cinema, it is the world which becomes its own image, and not an image which becomes world."

Giles Deleuze, Cinema 1: The Movement Image

Take 12 images and splice them end to…

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