In Part One of this article I wrote about the instability of the art-object. How its meaning moves, and inevitably cracks. In this follow-up I ponder text, the book, page and computer screen. Are they as stable as they appear? And how can we set them in motion?

Part Two

"There’s a way, it seems to me, that reality’s fractured right now, at least the reality that I live in. And the difficulty about... writing about that reality is that text is very linear and it’s very unified, and... I, anyway, am constantly on the lookout for…