MachineMachine /stream - tagged with article

Kids, unlike adults, think technology is fundamentally human

Thu, 19 Jan 2012 03:13:06 -0700

With children so easy to embrace robotics, it’s clear that there’s a ton of potential for integrating intelligent technologies into learning environments. Besides, the idea of “exploring and creating” sounds a heck of a lot better than answering true/false questions out of a booklet. Clearly there are tons of new and interesting ways to learn, and technology is, in many ways, responsible for this. Taking a deeper look at the stories the children created, the survey found that unlike many adults who see technology as separate from humanness, it seems that “kids tend to think of technology as fundamentally human:…

All Language Is Murder

Wed, 14 Dec 2011 03:50:14 -0700

The Word is the Murder of the Thing http://t.co/Y1H5W9zS

Mouse Trap: The dangers of using one lab animal to study every disease

Tue, 13 Dec 2011 13:34:32 -0700

"I began to realize that the ‘control’ animals used for research studies throughout the world are couch potatoes," he tells me. It's been shown that mice living under standard laboratory conditions eat more and grow bigger than their country cousins. At the National Institute on Aging, as at every major research center, the animals are grouped in plastic cages the size of large shoeboxes, topped with a wire lid and a food hopper that's never empty of pellets. This form of husbandry, known as ad libitum feeding, is cheap and convenient since animal technicians need only check the hoppers from…

Computing Machinery and Intelligence (by Alan Turing)

Mon, 31 Oct 2011 06:53:59 -0700

I propose to consider the question, "Can machines think?" This should begin with definitions of the meaning of the terms "machine" and "think." The definitions might be framed so as to reflect so far as possible the normal use of the words, but this attitude is dangerous, If the meaning of the words "machine" and "think" are to be found by examining how they are commonly used it is difficult to escape the conclusion that the meaning and the answer to the question, "Can machines think?" is to be sought in a statistical survey such as a Gallup poll. But…

Accuracy takes power: one man's 3GHz quest to build a perfect SNES emulator

Thu, 11 Aug 2011 04:25:22 -0700

Emulators for playing older games are immensely popular online, with regular arguments breaking out over which emulator is best for which game. Today we present another point of view from a gentleman who has created the Super Nintendo emulator bsnes. He wants to share his thoughts on the most important part of the emulation experience: accuracy.

It doesn't take much raw power to play Nintendo or SNES games on a modern PC; emulators could do it in the 1990s with a mere 25MHz of processing power. But emulating those old consoles accurately—well, that's another challenge entirely; accurate…

Digital Autonomy

Sat, 11 Jun 2011 04:02:00 -0700

“Is an ephemeral image, a moment in a streaming video, a thing? Or if the image is frozen as a still, is it now a thing? Is a dream, a city, a sensation, a derivative, an ideology, a decay, a kiss? I haven’t the least idea.”

Extract from David Miller, Materiality : An Introduction [1]

In A Thing Like You and Me, Hito Steyerl plays out her ongoing obsession with the copy, skirting briefly over her wider, yet more implicit concern: the digital. Echoing the work of Bruno Latour, Steyerl acknowledges the materiality by which…

A Thing Like You and Me

Wed, 11 May 2011 03:03:10 -0700

by Hito Steyerl

What happens to identification at this point? Who can we identify with? Of course, identification is always with an image. But ask anybody whether they’d actually like to be a JPEG file. And this is precisely my point: if identification is to go anywhere, it has to be with this material aspect of the image, with the image as thing, not as representation. And then it perhaps ceases to be identification, and instead becomes participation.3 I will come back to this point later.

But first of all: why should anybody…

The Library in the New Age

Wed, 16 Feb 2011 08:03:34 -0700

Information is exploding so furiously around us and information technology is changing at such bewildering speed that we face a fundamental problem: How to orient ourselves in the new landscape? What, for example, will become of research libraries in the face of technological marvels such as Google?

How to make sense of it all? I have no answer to that problem, but I can suggest an approach to it: look at the history of the ways information has been communicated. Simplifying things radically, you could say that there have been four fundamental changes in information technology since…

F/X PORN: David Foster Wallace

Tue, 18 Jan 2011 04:57:21 -0700

What's the difference between a Hollywood special-effects blockbuster like "Terminator 2" and a hard-core porn film? Very little, claims novelist, essayist and footnote fetishist David Foster Wallace.

1990s moviegoers who have sat clutching their heads in both awe and disappointment at movies like "Twister" and "Volcano" and "The Lost World" can thank James Cameron's "Terminator 2: Judgment Day" for inaugurating what's become this decade's special new genre of big-budget film: Special Effects Porn. "Porn" because, if you substitute F/X for intercourse, the parallels between the two genres become so obvious they're eerie. Just like hard-core cheapies, movies…

How Video Games Are Infiltrating—and Improving—Every Part of Our Lives

Wed, 08 Dec 2010 08:46:00 -0700

Games are sneaking into every part of our lives -- at home, school, and work. Cisco, IBM, Microsoft, and even the Army depend on games. and Pretty soon, you'll be a part of one. We guarantee it.

If Schell's vision seems a little, well, out there, consider this: Much of what he discusses already exists, having infiltrated our culture and our business landscape in ways that are barely recognized. Sure, 97% of 12- to 17-year-olds play computer games, but so do almost 70% of the heads of American households, according to the Entertainment Software Association. The average…

The Men Who Stole the World

Wed, 01 Dec 2010 05:22:00 -0700

A decade ago, four young men changed the way the world works. They did this not with laws or guns or money but with software: they had radical, disruptive ideas, which they turned into code, which they released on the Internet for free. These four men, not one of whom finished college, laid the foundations for much of the digital-media environment we currently inhabit. Then, for all intents and purposes, they vanished.

In 1999 a Northeastern University freshman named Shawn Fanning wrote Napster, thereby pioneering peer-to-peer file sharing and a new paradigm for consuming media without the…

Conflict or Cooperation?

Fri, 05 Nov 2010 05:54:00 -0700

Among the theorists who jumped into the market for models of the future, three stood out: Francis Fukuyama, Samuel Huntington, and John Mearsheimer. Each made a splash with a controversial article, then refined the argument in a book -- Fukuyama in The End of History and the Last Man, Huntington in The Clash of Civilizations and the Remaking of World Order, and Mearsheimer in The Tragedy of Great Power Politics. Each presented a bold and sweeping vision that struck a chord with certain readers, and each was dismissed by others whose beliefs were offended or who jumped to conclusions about…

Against humanism

Thu, 04 Nov 2010 06:58:00 -0700

by Mary Midgley

Does the term "humanism" really stand for a new and better form of religion? If so, what is that religion? Or is it something designed as a cure for religion itself, a way to get rid of it on Christopher Hitchens's principle that "religion poisons everything"?

Many people, no doubt, agree with Hitchens. But Auguste Comte, the founding father of modern humanism, would not have been one of them. For him, "humanism" was a word parallel to "theism". It just altered the object worshipped, substituting humanity for God. He called it…

In Defense of the Poor Image

Thu, 28 Oct 2010 07:27:00 -0700

by Hito Steyerl

The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed, as well as copied and pasted into other channels of distribution.

The poor image is a rag or a rip; an AVI or a JPEG, a lumpen proletarian in the class society of appearances, ranked and valued according to its resolution. The…

All Programs Considered by Bill McKibben

Thu, 28 Oct 2010 03:50:00 -0700

Radio receives little critical attention. Of the various methods for communicating ideas and emotions—books, newspapers, visual art, music, film, television, the Web—radio may be the least discussed, debated, understood. This is likely because it serves largely as a transmission device, a way to take other art forms (songs, sermons) and spread them out into the world. Its other uses can be fairly pedestrian too: ball games and repetitive, if remarkably effective, right-wing commercial talk radio. Rush Limbaugh is the radio ratings champ; according to the industry’s trade journal he reaches 14.25 million listeners in an average week. Sean Hannity, working…

The beastliness of modern art

Sun, 17 Oct 2010 14:35:10 -0700

The beastliness of modern art

Sun, 17 Oct 2010 14:35:00 -0700

Taxidermy (and the chemistry of the morgue) has been something close to a cult obsession with our contemporary gang. We get it, we get it, you often want to howl in the presence of some of the postmodern confections, now show me something you’ve really pondered, not just a high-school truism about the world drowning in the bloody slops of the abattoir. And back they come as if to say, no, that’s not it at all, actually; the reason we dip carcases into formaldehyde, why we (or our hirelings) are so busy stuffin’ ’n’ stitchin’, is because we’re really making…

The Artificial Ape: How Technology Changed the Course of Human Evolution

Wed, 08 Sep 2010 03:20:00 -0700

There has been a rash of books on human evolution in recent years, claiming that it was driven by art (Denis Dutton: The Art Instinct), cooking (Richard Wrangham: Catching Fire), sexual selection (Geoffrey Miller: The Mating Mind). Now, Timothy Taylor, reader in archaeology at the University of Bradford, makes a claim for technology in general and, in particular, the invention of the baby sling – not, as you may have thought, in the 1960s but more than 2m years ago.

All these theories and speculations are in truth complementary facets of an emerging Grand Universal Theory of…

Art and Thingness, Part Two: Thingification

Mon, 19 Jul 2010 08:08:00 -0700

by Sven Lütticken

In a text written in response to the upheavals of the Russian Revolution and the early Soviet avant-garde, Carl Einstein claimed that tradition “piles up in the object”; that the object is a “medium for passive thinking,” bound to tradition and bourgeois property relations; and that in order to “assert the human person, objects, which are preserve jars, must be destroyed.” Going so far as to state that “every destruction of objects is justified,” Einstein proclaimed a “dictatorship of the thingless.”

In a Latourian manner, one might present the recent turn…

Essay: Technology changes how art is created and perceived

Sun, 18 Jul 2010 05:20:00 -0700

It used to be so simple. A book had an author; a film, a screenwriter and director; a piece of music, a composer and performer; a painting or sculpture, an artist; a play, a playwright. You could assume that the work actually erupted more or less full-blown from these folks. In addition, the book, film, musical composition, painting or play was a discrete object or event that existed in time and space. You could hold it in your hands or watch or listen to it in a theater or your living room. It didn't really change over time unless the…