This mini-paper was given at the Escapologies symposium, at Goldsmiths University, on the 5th of December

Daniel Defoe’s 1719 novel Robinson Crusoe centres on the shipwreck and isolation of its protagonist. The life Crusoe knew beyond this shore was fashioned by Ships sent to conquer New Worlds and political wills built on slavery and imperial demands. In writing about his experiences, Crusoe orders his journal, not by the passing of time, but by the objects produced in his labour. A microcosm of the market hierarchies his seclusion removes him from: a tame herd of goats, a musket and gunpowder, sheafs of… ]]> Wed, 07 Dec 2011 09:50:14 -0700 http://machinemachine.net/text/research/a-mark-on-crusoes-island http://www.guardian.co.uk/books/2010/apr/17/christopher-hitchens-re-reads-animal-farm Animal Farm, as its author later wrote, "was the first book in which I tried, with full consciousness of what I was doing, to fuse political purpose and artistic purpose into one whole". And indeed, its pages contain a synthesis of many of the themes that we have come to think of as "Orwellian". Among these are a hatred of tyranny, a love for animals and the English countryside, and a deep admiration for the satirical fables of Jonathan Swift. To this one might add Orwell's keen desire to see things from the viewpoint of childhood and innocence: he had… ]]> Mon, 26 Apr 2010 04:49:00 -0700 http://www.guardian.co.uk/books/2010/apr/17/christopher-hitchens-re-reads-animal-farm